Hear Petra Polácková (Czech Republic) perform Prelude No. 4 by Heitor Villa-Lobos on a Gregory R. Miller classical guitar. 

Miller's magnificent sounding, visually stunning concert guitar have impressive reserves of power. They are also quick to project the quietest, most delicate pianissimos. Their smooth, creamy trebles and firm, deep basses are round, clear, and responsive to a wide range of color and attack. Their fundamental tones are uniformly solid and beautifully complemented by rich, well controlled overtones in all registers. The result: This guitar's perfectly balanced sound sparkles up and down and across the fingerboard. Voice separation is excellent as is harmonic blending.

The neck of this guitar is expertly shaped; the guitar's string response and action are quick and unusually comfortable. Workmanship and materials rank among the finest we have seen. In sum, this wonderful instrument represents a remarkable value in a traditional sounding, exceptionally musical classical guitar. (Learn more about this classical guitar maker).

Materials:  Spruce soundboard, very dark Indian back and sides, Jeffrey R. Elliott's seven fan open harmonic bar bracing system; mahogany neck, ebony fingerboard with 20th first string fret, French polish of shellac finish; Rodgers tuning machine heads with black horn oval buttons, master grade materials; impeccable workmanship; 650mm string length; hardshell case.