Overview: These magnificent concert guitars have
been designed, built and refined - starting in 1995 and extending over
fourteen years - in close collaboration with the late, master guitarist
Julian Bream who performed upon them in his "Great Estates Tour" of England, .
Fashioned after the vintage 1940 Rose Augustine
Hermann Hauser I
guitar that Julian Bream performed and recorded with towards the end of
his international touring career - Southwell's beautiful
Hauser I
copies capture the essence of their illustrious progenitor (even down
to the original instrument's soundboard and back tap tones) with uncanny
accuracy.
Regarding one of his recent Hauser I reproductions Gary Southwell wrote:
"This is a guitar model I worked closely with Julian Bream on and is
the first one I have made since Julian's death last year. So it brought
back many memories of working with him. Julian loved the deep resonance
of this guitar and it's 'cello like' qualities, as he called them. We
worked hard to be able to reproduce the wonderful deep bass sound of
this guitar which also supports the voice in the upper registers to give
them a warm lyrical character. I know Julian had sold most of his
guitars some time ago and was touched to learn that when he died he had
kept two of my guitars with him."
Expect
an aged Old World quality to this new guitar's elegant sound:
profoundly deep basses, pure ringing trebles, wide color palette,
excellent projection, superb playability. (
Learn More about this classical guitar maker)
Materials:
Dark brown/black straight grain Ind. sides and back, close straight
grain European spuce soundboard, beautifully applied French polish of shellac
finish, mahogany neck, perfectly executed "V" graft head to neck joint,
Rodgers
L111 precision tuning machines (the finest in the world) with nickle
silver Hauser style side plates and light mother of pearl (not pictured)
oval buttons, 650mm string length hardshell case.